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But because the roles of LGBTQ characters expanded and they graduated from the sidelines into the mainframes, they frequently ended up being tortured or tragic, a trend that was heightened during the AIDS crisis on the ’80s and ’90s, when for many, to become a gay gentleman meant being doomed to life in the shadows or under a cloud of Dying.
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More than anything, what defined the ten years was not just the invariable emergence of unique individual filmmakers, but also the arrival of artists who opened new doors for the endless possibilities of cinematic storytelling. Administrators like Claire Denis, Spike Lee, Wong Kar-wai, Jane Campion, Pedro Almodóvar, and Quentin Tarantino became superstars for reinventing cinema on their personal conditions, while previously established giants like Stanley Kubrick and David Lynch dared to reinvent themselves while the entire world was watching. Many of these greats are still working today, and the movies are all of the better for that.
The terror of “the footage” derived from watching the almost pathologically ambitious Heather (Heather Donahue) begin to deteriorate as she and her and her crew members Josh (Joshua Leonard) and Mike (Michael C. Williams) get lost while in the forest. Our disbelief was effectively suppressed by a DYI aesthetic that interspersed lower-quality video with 16mm testimonials, each giving validity towards the nonfiction concept in their personal way.
The climactic hovercraft chase is up there with the ’90s best action setpieces, and the top credits gag reel (which mines “Jackass”-level laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan put himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble in the Bronx” there was no turning back. —DE
Side-eyed for years before the film’s beguiling power began to more fully reveal itself (Kubrick’s swansong porn hup proving for being every inch as mysterious and rich with meaning as faketaxi “The Shining” or “2001: A Space Odyssey”), “Eyes Wide Shut” is a clenched sleepwalk through a swirl of overlapping dreamstates.
The movie can be a quiet meditation over the loneliness of being gay in a very repressed, rural society that, while not as high-profile as Brokeback Mountain,
James Cameron’s 1991 blockbuster (to wit, over half a billion bucks in worldwide returns) is consistently — and rightly — hailed given that the best on the sprawling apocalyptic franchise about the need not to misjudge both Arnold Schwarzenegger and Linda Hamilton.
Nearly thirty years later, “Unusual Days” is often a difficult watch mainly because of the onscreen brutality against Black folks and women, and because through today’s cynical eyes we know such footage rarely enacts the change desired. Even so, Bigelow’s alluring and visually arresting film continues to enrapture because it so perfectly captures the misplaced hope of its hindi bf time. —RD
Navigating lesbian themes was a tricky undertaking inside the repressed ecosystem on the early sixties. But this revenge drama had the benefit of two of cinema’s all-time powerhouses, Audrey Hepburn and Shirley MacLaine, while in the leading roles, as well as three-time Best Director Oscar winner William Wyler on the helm.
Of many of the things that Paul Verhoeven’s dark comedian look with the future of authoritarian warfare presaged, the way that “Starship Troopers” uses its “Would you like to know more?
had the confidence or the cocaine or whatever the hell it took to attempt something like this, because the bigger the movie gets, the more it seems like new porn it couldn’t afford to become any smaller.
The Palme d’Or winner is now such an approved classic, such a part in the canon that we forget how radical it absolutely was in 1994: a work of such style and slickness it won over even the Academy, earning seven Oscar nominations… for the movie featuring loving monologues about fast food, sophia leone “Kung Fu,” and Christopher Walken keeping a beloved heirloom watch up his ass.
The film boasts one of several most enigmatic titles of your 10 years, the Unusual, sonorous juxtaposition of those two words almost always presented inside the original French. It could be browse as “beautiful work” in English — but the concept of describing work as “beautiful” is somehow dismissive, as Should the legionnaires’ highly choreographed routines and domestic tasks are more of a performance than part of the advanced military technique.